The work of János Kis represents a Phenomenology of Spiritual Automatism, where the canvas serves as a bridge between avant-garde expression and divine revelation.

By initiating the creative act with Hebrew prayer and meditation, Kis enters a state of "sacred suspension," bypassing the conscious ego to synchronize with "The Collective Dynamics Consciousness of GOD’s Quantum Mind." In this state, the figures of the Tanakh and the New Testament are not mere historical subjects, but raw, "quantum" manifestations of the divine.

This process fuses Surrealist Automatism with a Phenomenological praxis, allowing the artist to function as a direct conduit for the Universe. The resulting paintings are not planned compositions, but immediate, lived experiences of the sacred, capturing the "pure presence" of biblical archetypes as they emerge from the infinite field of the Spirit. 

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